The plaintiff Mr. Shivanand Barucha is a film graduate from the prestigious Film and Television Institute of India (FTII), Pune and has been in the profession of film making for the past more than 29 years. The plaintiff
CS Professional · Intellectual Property Rights - Law and Practice · PYQS · June 2019
The plaintiff Mr. Shivanand Barucha is a film graduate from the prestigious Film and Television Institute of India (FTII), Pune and has been in the profession of film making for the past more than 29 years. The plaintiff specializes in documentary films and his films have been exhibited in various national and international film festivals and have won numerous awards. The plaintiff being a documentary film maker of repute within the film and television industry, both in India and abroad, directed and produced his films through his production house Movie Plus. The defendant No.1 is a Hecta Company incorporated under the Companies Act having its registered office at Bungalow No.101/101, Opposite Rama Krishna Public School, N V S. Nagar, Andheri (East), Mumbai and Mr. Sajan Rathod, the defendant No. 2 herein is the director and the principal shareholder of the said company and the defendant No. 3 herein, Mr. Prabhakaran Pillai is the Managing Director of the said company. On 25th December 2015 the plaintiff contacted one Ms. Leela Madhuri, an author of repute, who has written a book titled "Pyaar Ki Deewani and Deewana" with a proposal to secure the rights to make a television serial/film based on the book to which the author agreed. Subsequently an agreement was entered into between the author and the plaintiff on 1st January, 2016. The author conferred on the plaintiff, the exclusive right to produce a television series based on the book with the exact title as that of the book. Thereafter the plaintiff entered into an agreement on 9th January 2016 with the Department of Adult Education (hereinafter referred to as DAE) of the Ministry of Human Resource Development, Government of India, for funding the proposed venture. In return of which the plaintiff assigned the rights in the proposed serial/film in favour of the DAE, which assignment was to come into effect upon delivery of the master tapes to the DAE upon completion of the said serial. The plaintiff thereafter set upon the task of getting the cast and crew for the serial together and with the funds of the DAE along with his own funds filmed the serial day and night in Rampur Village, Karnataka from 14th February 2016 till 13th April 2016 and completed the serial. For the purposes of editing the plaintiff required a studio and Mr. Ahuja Javeri, the editor of the serial, identified a studio in Mumbai known as "Prime Film Studio", which is owned by defendant No. 2. The deal to execute the said film was executed through one Mr. Anil Advani, a video editor and a friend of defendant No. 2 and the plaintiff. The process of editing took place on the non-linear machines of the Prime Studio between the first week of May and 10th June, 2016. After editing the master prints and DVDs were handed over to the plaintiff on 4th July 2016. The plaintiff paid the agreed consideration amount via cheque dated 7th July 2016 to Mr. Anil Advani and another cheque dated 10th July 2016 in the name of Mr. Ahuja Javeri, at Mr. Advani's request. The plaintiff after making all the final payments for use of the studio to Mr. Anil Advani, requested him and the owner of the studio to delete all the software material and/or any other aspect of the serial work or parts thereof which was stored in the computers of the studio. The plaintiff has averred that somewhere in the second week of August, 2016 the plaintiff was informed by certain members of the crew of the serial that three episodes of a television serial titled "Aur Ek Prem Kahani" have been broadcast by the Doordarshan Kendra, Marathwada during the first week of August, 2016 and the said three episodes are identical to the episode no. 5, 6 and 7 of the plaintiff's yet to be telecast, the serial based on the book. The plaintiff, received confirmation of this fact from the DAE, who were upset that the serial for which they own the copyright had been broadcasted without their permission. Thereafter the plaintiff along with the DAE officials were shocked upon viewing the footage of the serial as telecast by the Doordarshan, Marathwada that was identical to the episode 5, 6, and 7 of the serial produced and directed by the plaintiff. The plaintiff has also stated that the credits appearing in the impugned serial were modified to replace plaintiffs name and other names as well, however the name of the author of the book as well as the cast was not changed. The argument of the plaintiff was that the actions of the defendants amount to infringement/breach of the plaintiffs author's special rights enshrined in Section 57 of the Copyright Act, 1957 as the defendants have not attributed the work to the plaintiff and have also distorted, mutilated and modified the plaintiff's film work to create the impugned serial and such acts of the defendants are malafide and amount to the tort of breach of trust and confidence and misappropriation of the plaintiffs property in the serial and conversion of the said property entrusted to the defendant No. 2 and his studio. Further, the plaintiff also mentioned that under Section 57 the author shall have a right to claim the authorship of the work. He has also a right to restrain the infringement or to claim damages for the infringement. These rights are independent of author's, copyright and the remedies open to the author under Section 55. The Maharashtra High Court had granted an exparte ad interim injunction in favour of the plaintiff and against the defendants restraining them from broadcasting/telecasting the impugned serial on 6th September 2016. Thereafter the defendants entered their appearance on 15th September 2016 and sought time on various dates to file written statement. But eventually the High Court issued the order on 15th October, 2016, closed the right of the defendants to file their written statement under Order 8, Rule 10 Civil Procedure Code. Thereafter, the plaintiff adduced his evidence and produced himself as PW1 and despite granting number of opportunities the defendants failed to cross examine the plaintiff PW1 and accordingly on 15th December 2016, the right of the defendants to cross examine the plaintiff was closed. Thereafter the defendants filed an application under order 9 Rule 7 for recall of the order dated 15th October, 2016 which was allowed by this court on 22nd December 2016, subject to payment of costs of ₹10,000. On 5th January, 2017, as the plaintiff was again present to be cross examined by the defendants, there was no one present for the defendants and in the interest of justice the date was again fixed on 21st January, 2017. Again on the said date none appeared and thus the right of the defendants to cross examine the plaintiff PW1 stood closed. Thereafter on 14th February, 2017 the plaintiff argued before this court that the defendant has been deliberately causing delay in the matter and prayed that a decree in terms of order 8 Rule 10 be passed in his favour. The plaintiff in evidence appeared as PW1 and tendered his affidavit. He tendered the original agreement between him and Ms. Leela Madhuri and the agreement between him and the Department of Adult Education. The defendants, as is a matter of record, failed to cross examine the plaintiff PW1. The other two witnesses who appeared were Mrs. Anjan Sharma who tendered her affidavit in evidence as PW2 and Ms. Anushka Barma as PW3 who tendered her affidavit in evidence as PW3. The two witnesses PW2 and PW3 stated that they both had acted in the serial "Pyaar Ki Deewani and Deewana" produced and directed by the plaintiff. They have stated that the defendants did not engage their services for any T.V. serial under any other title that is verbatim to the serial "Pyaar Ki Deewani and Deewana" produced and directed by the plaintiff. Their services were hired exclusively for the T.V. serial "Pyaar Ki Deewani and Deewana". They further stated that the defendants have never taken their services to act in the T.V. serial "Aur Ek Prem Kahani" that has been telecasted on Marathwada Doordarshan. Decision of the High Court : Plaintiff is not only the producer of the cinematograph film embodying the serial but also the author of the said cinematograph film under the Copyright Act, 1957. Further he averred that even after assigning the copyright in the said work, he still retains the Author's special Rights enshrined under Section 57 of the Act. He also stated that he had hired the prime Film Studio to get the serial edited and the said serial was on the computers of the said studio on his trust and confidence and no one could use or exploit or convert to their own use the said film work without his permission which was never given by him. On the contrary he had categorically asked the studio to delete the said work. It is the contention of the plaintiff that the actions of the defendants amount to infringement of his special rights as per Sec. 57 of the said act as the defendants have not attributed the work to him and have also distorted, mutilated and modified his work to create the impugned serial which is prejudicial to the honour and reputation of the plaintiff. The plaintiff has further stated that due to the action of the defendants the DAE was adamant on terminating the agreement dated 9th January, 2016 with him, thereby seriously prejudicing his honour and reputation and future business prospects to deal with any government or other departments. In the present case the defendant have no defence to raise to rebut the arguments of the plaintiff. The defendants certainly have been callous and the complete inaction on their part cannot defeat the right of plaintiff and the court has to act to protect the interest of the plaintiff. Hence, this court proceeded to pass a judgment under Order 8 Rule 10 of Civil Procedure Code, against the defendants. What was aired was the exact reproduction of the episodes filmed by the plaintiff with the changes that the credits appearing in the impugned serial were modified to replace the plaintiffs name as the producer and director, with that of the other persons, including defendant no. 2 herein. The names of the producer, director, camera man and editor were all changed. The executive producers of the impugned serial were credited to be defendant no. 2 and defendant no. 3 and the name of the serial was changed to "Aur Ek Prem Kahani" from "Pyaar Ki Deewani and Deewana". However, the name of the author of the book as well as the cast was not changed. In the light of legal principles enunciated above, this court is of the considered view that the modifications made in the work of the plaintiff are covered within the ambit of Section 57 of the act. After perusal of the documents produced and the testimony of the witnesses, this court considered the view of the plaintiff, that he is the author of the impugned work and the defendants have modified the said work of the plaintiff without permission. In the light of the aforesaid discussion, a decree of permanent injunction is passed in favour of the plaintiff and against the defendants restraining the defendants, their partners, affiliates, directors, officers, employees, representatives from exhibiting the impugned serial or any other film works that are identical or substantially similar to the plaintiff's serial works or parts thereof. The defendants are also restrained from distorting, mutilating, modifying, or committing any other act in relation to the said serial work which would be prejudicial to the plaintiff s honour or reputation. "The infringement is not defined but violation of any rights of the owner amounts to infringement". Explain this statement in the light of concept of infringement with judicial pronouncements, and authorities set up under the Copyright Act.
Answer & Explanation:
Copyright registration provides exclusive rights to the owners of the work to reproduce the work enabling them to derive financial benefits by exercising such rights. If any person without authorization from the owner exercises these rights in respect of the work which has copyright protection it constitutes an infringement of the copyright. If the reproduction of the work is carried out after the expiry of the copyright term it will not amount to an infringement. Section 51 of the Act mentions the situation where copyright in the work shall be deemed to be infringed- (a) When any person, without a license granted by the owner of the copyright or the Registrar of Copyrights under this Act or in contravention of the conditions of a license so granted or of any condition imposed by a competent authority under this Act does Anything, the exclusive right to do which is by this Act conferred upon the owner of the copyright, or Permits for profit any place to be used for the communication of the work to the public where such communication constitutes an infringement of the copyright in the work, unless he was not aware and had no reasonable ground for believing that such communication to the public would be an infringement of copyright (b) When any person- Makes for sale or hire, or sells or lets for hire, or by way of trade displays or offers for sale or hire, or Distributes either for the purpose of trade or to such an extent as to affect prejudicially the owner of the copyright, or By way of trade exhibits in public, or Imports into India, any infringing copies of the work: [Provided that nothing in sub-clause (iv) shall apply to the import of one copy of any work, for the private and domestic use of the importer.] Explanation.-for the purposes of this section, the reproduction of a literary, dramatic, musical or artistic work in the form of a cinematograph film shall be deemed to be an "infringing copy". The copyright in a work shall be deemed to be infringed by any person who, without the consent of the owner of the copyright, does anything, the sole right to do which is conferred on the owner of the copyright. [ Kartar Singh Giani v. Ladha Singh & Others (1934) ]. The Bombay High Court in Hindustan Lever Ltd., v. Nirma Private Limited, AIR (1991) held there was prima facie infringement of copyright. The case dealt with the infringement of the copyright in the label when there were only few changes made in the colourable imitation of label. Authorities under Copyright Law There are two important authorities who administer copyrights. They are Copyright Office: Section 9 of the Copyright Act, 1957 requires for establishment of an office to be called the Copyright Office for the purpose of the Act. The Copyright Office is to be under the immediate control of a Registrar of Copyrights to be appointed by the Central Government, who would act under the superintendence and directions of the Central Government. Copyright Board: Section 11 of the Copyright Act, 1957 provides for the establishment of the Copyright Board and empowers the Central Government to constitute the same consisting of a Chairman and not less than two, but not more than fourteen members. Chairman of the Board should be a sitting or retired judge of the High Court or a person qualified to be appointed as judge of the High Court. The Registrar of Copyright to act as Secretary of the Copyright Board.
Topics: Copyright Law
Related Questions in this Topic
- The plaintiff Mr. Shivanand Barucha is a film graduate from the prestigious Film and Television Institute of India (FTII...
- The plaintiff Mr. Shivanand Barucha is a film graduate from the prestigious Film and Television Institute of India (FTII...
- The plaintiff Mr. Shivanand Barucha is a film graduate from the prestigious Film and Television Institute of India (FTII...
- Read the following case study and answer the questions given at the end : The Music no. 1 is a music company operating ...
- Read the following case study and answer the questions given at the end : The Music no. 1 is a music company operating ...